42 minutes 59 seconds + copper wire (and a little more) = bliss

Deven Desai

Deven Desai is an associate professor of law and ethics at the Scheller College of Business, Georgia Institute of Technology. He was also the first, and to date, only Academic Research Counsel at Google, Inc., and a Visiting Fellow at Princeton University’s Center for Information Technology Policy. He is a graduate of U.C. Berkeley and the Yale Law School. Professor Desai’s scholarship examines how business interests, new technology, and economic theories shape privacy and intellectual property law and where those arguments explain productivity or where they fail to capture society’s interest in the free flow of information and development. His work has appeared in leading law reviews and journals including the Georgetown Law Journal, Minnesota Law Review, Notre Dame Law Review, Wisconsin Law Review, and U.C. Davis Law Review.

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6 Responses

  1. Spencer Waller says:

    I completely agree but does it really snych with the Wizard of Oz?

  2. Orin Kerr says:

    Or, listen to the whole album: http://www.youtube.com/watch?v=328WhjAXpcs

  3. Howard Wasserman says:

    Actually, Spencer, it sort of does, in some neat coincidences. A writer from Slate also tried it with Oz, the Great and Powerful:

    http://www.slate.com/articles/arts/low_concept/2013/03/dark_side_of_oz_listening_to_dark_side_of_the_moon_while_watching_oz_the.html

  4. AudioNerd says:

    Of course, you say “designed for stereo,” but the album has also been mixed for surround a number of times, including the quadraphonic mix done by Alan Parsons when the album was originally released, and the 5.1 mix released on Super Audio CD a few years ago. If you have the receiver and speakers to listen to it in that format, it’s like listening to it for the first time.

  5. Deven says:

    Damn fine point, AudioNerd. I recall a format for Sting’s The Soul Cages (I think) where there were instructions on how to position the speakers and where to sit. The claim was that it would sound like a live performance. Strings on one side, horns another, vocals in front. I thought it worked. I wasn’t sure about how well more than one could hear the album that way. And I may have been biased to believe. Still, it seemed like quite a new way to listen.

    I wonder if it says something about the composers when an album can be remixed so often? As in is there some music that is good but where such engineering would not have as much effect? Has attention to engineering gone down with pop, earbuds, and singles?

  6. Deven says:

    Orin, unless your computer is hooked up to good speakers, I think that the YuoTube version loses out here. I tested the difference in sound from a stream or iTunes compressed file and the CD is better. Maybe I should dust off the turntable. I have a great LP with Coltrane doing My Favorite Things for about 13 minutes.